Museum posters2/10/2024 Do you want the poster to accentuate a current colour scheme or bring life to a dull corner of the room, or do you want the art to be the feature? Got museum quality art, why not hang it like a museum would? Turn your home or working environment into a mini-Guggenheim. ![]() The hanging of your museum-grade artwork is perhaps the most important choice you’ll make, so consider it wisely. Fluctuations in temperature and humidity can weaken and break down paper fibres by causing them to expand and contract.Īfter paper choices and printing techniques, it’s time to get creative. Naturally, the lower the storage temperature of paper, the longer it lasts its lifespan doubled with every decrease of 10☏. Too low a humidity can lead to paper becoming brittle too high increasing the chance of mould. Light, heat, and humidity can all have a momentous effect upon paper sunlight and ultraviolet light in particular can quickly lead to fading or brittleness. Of course, in addition to your choice in paper and finish, don’t forget that the environmental factors your posters reside in can be just as important in guaranteeing their longevity. Due to its water resistant feature, they can easily be cleaned, too. These types of varnish also enrich the colour gamut of the ink used and the black areas on the canvas, which means the poster does not fade or crack lasting up to 100 years. This extends the shelf-life of the canvas, making it water resistant as well. Most times, they are available in gloss or matte finish. Surface coating, also known as varnish, can be used to preserve the texture and colour of an art poster. These cotton papers are produced using a tight weave, which makes it ideal for fine art or photograph reproduction. With such a canvas, you can be assured the highest quality which will produce a display for an exceedingly long time. The paper used to produce fine prints are 100% cotton, and they optimise ink quality. Although there is no warranty of quality due to it being unregulated, the term giclée is commonly associated with high grade museum quality art prints, the technique making it possible to produce a sharp, vibrant, and high-resolution result. ![]() Museum quality posters are created using an advanced printing technique known as giclée (pronounced ‘zhee-clay’) printing a neologism coined in 1991 by printmaker Jack Duganne for fine art digital prints made using inkjet printers. If you’re looking for the last word in permanence, acid free surfaces made with 100% cotton are recommended. The paper should be acid free, and contain no groundwood or unbleached pulp meeting strict limits on metallic content and being free from optical brighteners which are used to artificially make the sheet appear whiter. There may currently be no universal standards in relation to making a paper ‘archival’-or ‘museum quality’-although there are generally accepted properties. ![]() If you’re still baffled by what this means, let’s look a little further. What this implies is certain art posters are produced with the highest quality print. However, you may or may not have come across museum-grade posters. From statement pieces to gallery walls, such posters are now commonplace in interior design.
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